3 Aspects On Why The Tell – Tale Heart Is Interesting
The Tell - Tell Heart illustration via
kandorgraphics.com
The Tell- Tale Heart is a story created by a master of suspenful story, Edgar Allan Poe. And here are 3 aspects on why The Tell - Tale Heart is worth reading :
- The Sanity Of The Narrator
the narrator's sanity was
questionable via 3.bp.blogspot.com
This is what makes the whole story. The narrator begins his tale by trying to convince the reader that he is not mad :
“...but why WILL you say that I am mad?”
Soon after he adds :
“You fancy me mad. Madmen know nothing. But you
should have seen me. You should have seen how wisely I proceeded – with what
caution – with what foreshight, with what dissimulation, I went to work!”
The narrator throws comments like this throughout the rest
of the story, as he works to reminds the reader that he is not mad. What is
brilliant about this is that the reader is forced to question the narrators’s
credibility from the very first few lines and paragraph of the text. If he is
clearly wrong about his judgement of his own sanity, can the reader trust
anything he is telling at all?
2. Suspense
suspenful situation was built with caution
via primoscripturience.wordpress.com
It
wouldn’t be written by Poe without this. Poe was masterful at developing
suspense in his short stories. This one, in particular, is a great example.
Because the pace is literally designed to quicken like a nervous, pounding
heartbeat. We see this when he kills the old man :
![]() |
the old man's scared via twitter.com |
“It grew quicker and quicker, louder and louder,
every instant. The old man’s terror must have been extreme! It grew louder and
louder, I say, louder every moment!”
and again at the end when he confesses :
“I felt that I must scream or die! --
and now – again – hark! louder! louder! louder! LOUDER!”
Of course this is his OWN
heartbeat he is hearing, as he grows nervous about being caught.
3. Tone
![]() |
the narrator's tone changed frequently via images.search.yahoo.com |
The narrator’s tone is uniquely erratic because it
wavers back and forth between smug and excitable. It is almost comedic at
times. For example, he describes the gruesome murder of the old man, and
immediately follows it with :
“I then smiled gaily, to find the deed so far
done.”
His use of repetition makes him sound like a real
person, recountingnan actual experience and trying to emphasize the exciting
parts.
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